Showing posts with label Chris Pine. Show all posts
Showing posts with label Chris Pine. Show all posts

Wednesday, May 22, 2013

More Like Star Trek Into Discord: Our Review of "Star Trek Into Darkness" (2013)

Directed By: J.J. Abrams (Super 8) 

Starring: Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, Benedict Cumberbatch

Rating: PG-13 for intense sequences of sci-fi action & violence

Run Time: 2 hours, 12 minutes

Synopsis: When Starfleet is viciously attacked by a terrorist from within their own organization, Captain Kirk (Pine) leads his crew on a perilous journey to capture the fugitive - a mysterious figure named John Harrison (Cumberbatch), who may hold secrets about Starfleet that can do more damage than he could ever done alone.

REVIEW

Andrew: Hello dear readers! This past Thursday Sarah and I saw Star Trek Into Darkness, J.J. Abrams' highly anticipated sequel to his 2009 reboot, which sees the return of all the major actors in their roles from the first one - Chris Pine as Captain Kirk, Zachary Quinto as Spock, etc. - and also adds some new yet familiar faces to Abrams' new take on the series.

Sarah: We'd been looking forward to Star Trek Into Darkness for quite some time because the 2009 film is one of our absolute favorites (as you can see HERE in my Top Ten Favorite Movies), but what made us really excited about it is our main man Benedict Cumberbatch plays the main villain in the movie, a mysterious terrorist named John Harrison. We love Cumberbatch from Sherlock and think he's just fantastic. So we were very excited to see this one.

A: Indeed. And in full disclosure before we dig into this review, I've seen STID twice now - once in 3D at a screening the day before its release, and then again with Sarah in 2D. But this movie seems to be getting some split reactions from fans on the blogosphere, but has been getting generally positive reactions from reviewers and movie-goers. STID currently holds a solid "A" from CinemaScore and is 88% Fresh on Rotten Tomatoes.

S:  Also in full disclosure, we're going to talk extensively about the plot, so ***SPOILER ALERT - DO NOT READ THIS REVIEW IF YOU DON'T WANT PLOT SPECIFICS SPOILED FOR YOU**

Like seriously, we're going to talk about Benedict Cumberbatch's character, John Harrison (center), and
how it affects the rest of the movie. If you don't want to know, stop reading.

Okay, so what did you think of Star Trek Into Darkness?

A: Well, from what I've read online, there seems to be three camps on this film: people who loved it, people who hated it, and people who noticed some flaws but generally liked it overall. I think I'm in that last group. There are some things that I think J.J. Abrams and his entire crew did incredibly well, but there are also some things - especially towards the very end - that just didn't work for me.

S: I felt there were things that were just wrong.

A: What do you mean by "wrong?"

S: There are things that just aren't correct, or just felt wrong. Here's our first big spoiler, so seriously, if you're reading this and don't want the movie to be spoiled then stop reading, but the biggest part that felt wrong to me was the scene where Kirk dies in the same sort of way that Spock does at the end of Wrath of Khan. When Spock yells, "KHAAAAAN!" it was NOT Khan's fault that Kirk died! So not only did things not feel right to me but there were some plots holes, too.

A: Right. So let's get into this: A big thing people have been talking about and hating on this film for is because of the excessive amount of fan servicing Abrams and the screenwriters - Alex Kurtzman Roberto Orci and Damon Lindelof - did. Things like callbacks to "Star Trek: The Original Series" and Star Trek II: The Wrath of Khan...and then of course casting Benedict Cumberbatch as Khan Noonien Singh. A lot of people did like the fact that a British Caucasian man is playing a character that is supposed to be from India...

S: But even the original Khan wasn't played by an Indian actor. Ricardo Montalban was Mexican, wasn't he?

A: Yes he was. But the thing is that the movie, for the most part, is on its own merits. It's a totally new story for these characters for about three-quarters of the way through the film, and then the final act...

S: Starts to look very familiar, where it hearkens back to The Wrath of Khan.

A: Exactly, and that's when it starts to go off the rails...at least it did for me, and I think it did for you as well.

S: Mhmm. Yeah, it lost me there. And I'm afraid my expectations for this film were so unbelievably high that it was going to be difficult for this to live up to them. The reboot was so amazing and so new, but I do think that they made a mistake with...if they were going to reboot the entire series, I feel like they made a mistake having Khan as the bad guy and linking it back to the original series with another appearance by Leonard Nimoy. That bothered me a little bit because it's its own story. This should be its own story in this new parallel universe.

A: I was okay with them using Khan for a few reasons. One is that lately in movie, especially big blockbusters based off of famous source material, we've been seeing the most prominent villain appearing in the second film. We saw this with Doctor Octopus in Spider-Man 2 and The Joker in The Dark Knight, and at least in the case of those two, those were the best films in those trilogies. So I'm okay with Khan coming in the second film because they've already established the reboot in the first movie, now you have to take it somewhere bigger and hopefully better.

While he's not as exotic-looking at Ricardo Montalban was, we still thought Benedict Cumberbatch's
portrayal of Khan was a strength of the movie.

The problem to me was with the fan servicing. I'm okay with Khan because even in this rebooted universe, Khan was still a warlord years before Kirk's dad gets killed in the new timeline. I look at the use of Khan in the same vein as when Old Spock essentially tells New Spock that he and Kirk will become best friends - it's pretty much destiny, despite the alternate timeline. There are some things that will still happen, they'll just be altered a bit.

S: Okay, I'll go with that.

A: So I'm cool with Khan being used because now he's brought back from his slumber in a completely new world, and they can do different stuff with him. And they were doing so well with him at first! I think the first three-quarters of the movie work really well, but then they try to shoehorn in the ending and it really falters.

S: Absolutely. Yeah, it didn't bother me that Benedict Cumberbatch plays Khan, we love him, and maybe it's because we love him that it didn't bother us so much. He has great acting chops, his voice is amazing, and I do like that they lent themselves to the possibility of more Khan appearances. Because in the original series he has one episode in the show and one movie. That's it. So this was better to me because maybe they'll use him in future appearances.

A: Here's the only other problem I can see with them using Khan here: J.J. Abrams tried to keep it a secret.

S: Marketing-wise that was a huge mistake.

A: He gambled and I think he lost, because you're using the biggest villain in the series and you're keeping it a secret. That should have been the centerpiece of the marketing campaign. So they tried to keep it a secret and then there's a scene where Cumberbatch says, "My name...is Khan." And if you're new to the series? There's absolutely no backstory. You're just like, "Okay..."

S: "Who is Khan and why is he important?" Yeah, if this is your introduction to Khan...the only reason we know he was a warlord years ago is because we know the original take on him. We don't know that from this movie.

A: Exactly. I mean, that bit comes out later in the film when they finally say what he did, but even at the time of the big reveal Kirk has no reaction to it.

S: He's just like, "Okay. And?" So that's another scene that fell flat for me.

A: I guess they should have done something different than what they did. They did try something different and it just didn't work. All that said, I still loved this movie.

S: I felt that there were missed opportunities in this movie. I felt that they could have done more with the relationship between Admiral Pike (Bruce Greenwood) and Kirk. They start to touch on it and then it fizzles out.

A: That was a bit of a recurring theme in the movie.

S: Then there was Spock and Uhura's relationship. There's a build-up of tension between them, but that's quickly followed up by an explanation and all of a sudden that's over. So I thought there were so many missed opportunities. Not just with Khan, but all the little things between the rest of the characters, too.

That's where it missed the mark for me, and I struggled a little bit with that and I struggled with the retread of the Khan stuff because I wanted this one to be new! I don't want to go see a remake...

A: But it's not a straight remake.

S: It's not, and that's not what I meant, but that's what it sort of ended up being. Toward the end that's what it sort of becomes.

A: It feels like it towards the end. But there are a lot of differences. They just tried to do a twist on it.

S: They should have just left it alone.

A: Another thing like you were just talking about, with something fizzling out? The filmmakers chicken out on their own convictions a number of times, but none so much as at the end when Kirk dies. Kirk dies of radiation poisoning from fixing the warp drive - which happened to Spock in Wrath of Khan - and then there's a deus ex machina where it turns out Khan's genetically enhanced blood and cure diseases and revive the dead, so naturally Bones is able to use Khan's blood to bring back Kirk. And this happens like, ten minutes after he dies.

S: Yes! So all of sudden everything's okay??? They should've had that been at the very end and left us wondering what's going to happen from there, like they did in Wrath of Khan! If they were going to kill off Kirk, they needed to stick to it. But that was a missed opportunity like we were talking about. I get why they did it the way they did, it's a blockbuster movie and you don't want to alienate the casual viewers or the die-hards, but it was really lazy.

A: It just left a bad taste in the mouth. Okay, I want to stop harping on the negatives of the movie and talk about some of the positives, of which there were many. The best thing about the entire movie is still the cast...

S: They really did do a good job of casting these roles.

A: The chemistry between Chris Pine's Kirk, Zachary Quinto's Spock and Karl Urban's Bones is still top-notch. They're funny together, Saldana's still great as Uhuru...Anton Yelchin's Chekov kind got short-shrifted  ...but Simon Pegg's Scotty got more screen-time here, which I felt was a good thing!

S: Oh definitely. Simon Pegg is hilarious and after not coming into the last film until more than halfway through, I was glad he was there from the start and even got some important stuff to do in the plot.

A: I've always liked Bruce Greenwood as Admiral Pike. I like the addition of Alice Eve as Carol Marcus, even though she didn't have much to do. Peter Weller was pretty great as Starfleet Admiral Alexander Marcus...I don't know, I just thought the casting overall was top-notch. Especially Cumberbatch, I thought he was great in his role.

We like Alice Eve from her turn in She's Out of My League and we liked her here, too. The topic of whether
this shot from the movie is gratuitous, though, is for another discussion.

Was there anything about the cast that bothered you? Did it lose it's spark at all?

S: Nope, it lost it's magic for me. I don't know why, but I think because the first one was so new and so anticipatory...no one knew what to expect. And now we know what to expect and I thought it was going to be bigger and better, and I don't know if that that was fair to this movie or not, but it just fell short for me.

A: Oh no, I meant did the cast lose any of its spark.

S: Oh! Oh, no no. I thought I answered that question. No.

A: I meant more like, this movie is just funny. There are a lot of funny moments, one-liners, responses to other lines, it's just humorous. Which carried over from the first one.

I loved the music. Michael Giacchino is great, I love his work and I hope they bring him over to do the music for Star Wars: Episode VII, although I'm sure John Williams will still do it.

S: This movie looks great. The CGI is still fantastic...

A: And it looked great when I saw it in 3D. I think we need to see this one again so you can see it in 3D.

S: Well they added something in this movie...okay, this movie looks beautiful, the series still looks amazing, but the sparkly warp trail that gets left behind when the Enterprise goes into warp speed? That was absolutely ridiculous.

A: What?? You thought that was ridiculous? I liked it!

S: But the reason I find it ridiculous is because it looks like they added it purely for 3D. Like they added it just so it would look cool in 3D.

A: I doubt it, because they post-converted this movie. J.J. Abrams didn't want this to be in 3D. He shot it normally and with some IMAX stuff, but it was after the fact that Paramount wanted it post-converted.

S: I don't know why it bothered me, I just know that it did.

A: Honestly I think this is the best post-converted 3D movie we've seen.

S: I think it was literally because they would go into warp, and instead of that feeling that they got sucked into space, that silence that I feel is so appropriate and felt so believable? They got rid of that and left these sparkles with a sparkly sound. It was like when Tinker Bell goes to the top of the castle at Disney. If they hadn't lingered on that, if it hadn't been the focal point of every warp from behind, I wouldn't have had a problem with it. But they focus on it EVERY TIME they jump into warp speed. I found it ridiculous.

A: I guess I don't get why you didn't like it.

S: Well it will bother you now.

A: No it won't, I've seen the movie twice. I enjoyed it both times. I looked cool to me! I thought it was a neat little addition. Just in general, this movie looks great. J.J. Abrams does a fantastic job of directing action sequences, no one can argue that. Now, arguably some of the action sequences weren't organic, specifically the climax, but they're still framed well, acted well, they look great...this dude is going to make a great-looking Star Wars movie.

S: Oh yeah. Yeah, I guess.

A: Was there anything about Star Trek Into Darkness that you legitimately liked?

S: Well I liked that there was another Star Trek movie. I liked that fact.

A: You like that it exists.

S: I like that it exists. I like that there was a second one, I like that Benedict Cumberbatch is in it, I'm glad Simon Pegg got more screen-time...but I felt that there were too many things that turned me off. I don't know.

A: What did you think of the plot? I know we've focused a lot of this review on the last 20 or 30 minutes, but what about the entirety of the plot?

S: I liked it but there were so many holes that I got distracted from the rest of the movie.

A: There are some final things I want to get your take on. A big part of the focus in this film is on Kirk and Spock, again. That's the whole heart to the first movie, the original series, and it's a big focal point for this one - how Spock's human side still hasn't come out as much as Kirk wants, like when Spock turns Kirk in for breaking the Prime Directive at the beginning of the film

S: Ok, to me there were a number of times that the relationship between Kirk and Spock did not feel organic. I feel like the relationship between these versions of Kirk and Spock are being forced on us almost. I felt like...I don't know why, but it didn't feel organic to me. At no point prior to the very end did Spock show any kind of emotion for Kirk. Zero. None whatsoever. Like, he couldn't have cared less. And I think there was more shown in the 2009 version than this one. What happened? You would've expected their friendship to have grown and blossomed in-between the two films, but it felt like an awkward relationship to me.

I felt that Spock and Uhura's relationship grew more than Kirk's and Spock's. So when they're trying to force the relationship between the two guys it just felt ridiculous to me.

Sarah felt like the classic relationship between Spock and Kirk didn't feel adequately 
formed between the two films, while Andrew liked getting to see the relationship grow more.

A: Okay, this is good!

S: Wow, it really sounds like I didn't like this movie.

A: It really does not sound like you liked it at all. I didn't find the Kirk/Spock relationship forced, personally. I felt like a lot of what they did at the beginning of this film kind of, not negates the first one, but you're right - enough time should have passed that these two guys should have bonded a little more than it seems like they have.

S: Yes! These two have been the commanding officers of the Enterprise for years now, so their friendship should have grown, they're friendship should have been stronger already, and Spock should've known how Kirk would react to things.

A: True, but I do feel like their relationship does grow as the movie progresses.

S: Correct, as this second movie progresses. And I understand that, but some of that should have taken place off-screen. I felt like there was too much of a gap.

A: While I agree with your basic sentiment, I still liked watching their relationship grow. I liked seeing when Kirk starts listening to Spock. I don't want that stuff to have happened off-screen too much, otherwise we don't connect with them as much.

S: I mean, I guess to me the relationship between Kirk and Spock is such a classic friendship that, at least in the originals, they have such a repertoire together...in this one the repertoire didn't even come in until the end.

A: But you have to remember in the original series they've been working together for years. For years. Like, Kirk has 15 years worth of training before he even becomes a captain.

S: I guess.

A: The second time I saw this I noticed things I hadn't seen before, like when Spock is mind-melding with Admiral Pike as Pike is dying...Quinto's look...he's feeling Pike's fear and solitude.

S: Yes, but I wanted to feel that more. I wanted that to have actually been something or lead somewhere because Kirk wasn't there for Pike's death. I wanted that to lead somewhere and it just didn't for me. I was like, "Ugh!" That was the first missed opportunity of the movie.

A: What do you mean by missed opportunity there?

S: I wanted it to have been like Spock had felt the compassion that Pike felt for Kirk, and that Spock would've shared that later with Kirk to comfort him as he was dying.

A: Gotchya.

S: So I just felt like that was a missed opportunity, you know because they led us to believe that there was such a father-son bond between Pike and Kirk.

A: Okay, I like where your head is at. That was a dropped ball I guess. But I thought they brought it around nicely later when Spock is telling Kirk and Uhura how Pike had been afraid as he was dying...

S: And that Spock had felt that same way when Vulcan was destroyed, so he didn't want to feel that way again, right...

A: But they brought it back around later when Kirk is dying, and Kirk is telling Spock how he's afraid, and how Spock felt that not only with Vulcan and then with Pike, but he's feeling it now with Kirk and he realizes that he actually does care about him. He's getting upset because his friend is dying and he knows the feeling he's going through. I thought they kind of brought that around nicely.

And we haven't even talked about the Klingons or the lens flares! There are Klingons in this movie, and for a pretty good section!

S: Mmm, they don't quite look like Klingons.

A: Well when they take their helmets off they do. It's a different look for the Klingons, but I dug it. At least the Klingon we see without a helmet in this movie looks huge, he's got some cool tribal looking things going on, his eyes are scary looking...

S: I don't know, I just thought, "That's not a Klingon."

A: I'm fairly certain the Klingons are going to be the antagonists in the third movie...

S: At least they should be.

A: This review/discussion has been pretty long, and honestly there's a lot more we could talk about. We could talk about the science of the movie, the politics...there's tons to talk about. But did you really just not like it?

S: I'm trying to think of redeeming qualities that I liked about it.

A: I'm surprised you're struggling to do so. I found so many.

S: I think I was just so distracted by the dropped balls and missed opporutnities and the f'ing sparkles that I had a hard time enjoying it. It looked beautiful. It looks perfect. I think they made a mistake with showing the Excelsior class starship in the trailers, because that scene would've been awesome not knowing it was coming.

A: Here's my last thing I want to touch on, and something I really enjoyed about the movie and the 2009 reboot: J.J. Abrams and his crew are doing a good job of making this a Star Trek for our generation. This story is about how after Nero effed up the timeline, destroyed Vulcan and attacked Earth, Admiral Marcus is now afraid of what else is out there that could attack and he's militarizing Starfleet. It's a parallel to what happened with America after 9/11. They mention it time and time again in the movie that the Federation and Starfleet are supposed to be a peace organization - they're supposed to go out and...

Andrew liked that Peter Weller's Admiral Marcus is a metaphor for the United States' and George W. Bush's
response to 9/11. Plus, ROBOCOP!
 

S: Explore strange new worlds, yes.

A: But the key conflict is that after Nero's actions, Admiral Marcus has made it a focus to be able to attack first and to be able to defend. He has turned Starfleet into...

S: A military.

A: Exactly. I think that's an interesting concept and a cool take on this new storyline.

S: Well the words that they use is "recruit." That's interesting because you don't normally recruit for a peace-keeping organization, you recruit for military purposes. I think the words they use have definitely focused on how they're not necessarily a peace-keeping organization anymore.

A: Not anymore, yeah.

S: And these movies will have a lot of action, they won't be like the Star Trek series of old.

A: I agree with you, it shouldn't have been in the trailer, but the idea behind Marcus unfreezing Khan to help him bolster Starfleet's fire-power was a neat idea. I was really digging it. I liked that Khan felt he was being used and wanted to get back at Marcus. Then they took a wrong step in trying to make it too similar to Wrath of Khan at the end. If they didn't do that, then I don't think so many people would've had so many problems with it.


Alright, let's wrap this up then. Final thoughts?

S: You have to see this in theatres regardless. If you've been waiting for four years for it to come out like we have, you gotta see it in theatres. It's a blockbuster that needs to be seen on the big screen. If you're a fan of the first one, I think you'll most likely like the second one, even though I didn't. If you've never seen any of the originals, I think this one will be great for you. If you're a fan of the original series and the films with Kirk and them, you might have some problems with it.


(Individual Scores - S: 3/5  A: 4/5) 

Photo Courtesies: trekmovie.com, startrek.com, lostinthemultiplex.com, JoBlo, thetrekcollective.com

Tuesday, November 20, 2012

Dreamworks' Latest Animated Film Is Sure To Be a Holiday Hit: Our Review of "Rise of the Guardians" (2012)


Directed By: Peter Ramsey 

Starring: Chris Pine, Alec Baldwin, Hugh Jackman, Jude Law, Isla Fisher

Rating: PG for thematic elements and some mildly scary action

Run Time: 1 hour, 37 minutes

Synopsis: A magical and secret group called The Guardians of Childhood - comprised of Santa Claus (Baldwin), the Easter Bunny (Jackman), the Tooth Fairy (Fisher) and the Sandman - protect the hopes and dreams of children worldwide. Through their classic duties (i.e. delivering Christmas gifts, Easter eggs, leaving gifts for lost teeth) they must maintain children's belief in them in order to protect them.  But when an ancient evil named Pitch (Law) rises from the darkness and threatens the Guardians' very existence, they must reach out to the lonely and misunderstood Jack Frost (Pine) to join them in their cause.

REVIEW

Andrew: Hello readers! Sarah and I were able to catch an advance showing of this holiday season’s newest animated film, Dreamworks’ Rise of the Guardians, based on William Joyce’s “The Guardians of Childhood” book series. In a neat spin on some classic childhood characters, the film’s protagonists – The Guardians, if you will – are Santa Claus, the Easter Bunny, the Tooth Fairy, the Sandman and their newest member, Jack Frost.

Sarah: And here they’re all called something different: Santa Claus is just called North, the Easter Bunny is E. Astor Bunnymund, the Tooth Fairy is simply Tooth and the Sandman is called Sandy.

A: Correct. And what the Guardians do, essentially, is protect children’s wishes, hopes, dreams, etc. and try their best to bring joy to kids around the world. They strive to continually ensure that children "believe" in them, because it's only through strong belief do they truly exist, and only when they exist can they defend the children against evil forces that may threaten them, particularly The Boogeyman…

North (a.k.a. Santa Claus) explains to Jack Frost that every light on their globe is a child who believes in the Guardians' existence, while Tooth, Sandy and Bunnymund watch from the side. It's really a neat idea that's executed quite well.

Saturday, June 30, 2012

An Exercise in the Strength of Casting: Our Review of "People Like Us" (2012)


Directed By: Alex Kurtzman

Starring: Chris Pine, Elizabeth Banks, Michelle Pfeiffer, Olivia Wilde

Rating: PG-13 for language, some drug use and brief sexuality

Synopsis: Sam Harper (Pine) is in debt after a major mistake he makes at work, and when his estranged father dies back in L.A., he reluctantly returns home. It’s there that his father’s lawyer gives him $150,000 – but tells him to give it to a woman named Frankie Davis (Banks) and her son. Sam soon discovers Frankie is his half-sister that he never knew about and has to make a choice: does he give her the money or use it to get himself out of debt?

REVIEW

Andrew: Hello readers! Last night Sarah and I made the dangerous journey to the movie theatre on a Friday night, made it through the throngs of women who were there to see Magic Mike, and we slipped into a smaller theatre to see this weekend’s new Chris Pine/Elizabeth Banks drama People Like Us.

Sarah, we talked about this in our weekly preview on Thursday and were both looking forward to it. I didn’t know a whole lot about the movie up until a week ago, but you had. So what are your thoughts after a night of sleeping on it?

Sarah: Well I had seen trailers for it for a while now and I would have to say that I enjoyed it. It was very heartwarming, which is what I expected. It tugged on the heartstrings, and although it was a semi-predictable premise once you got into the movie, it was still good! I enjoyed it! What did you think?

A: I really enjoyed it! Yes it’s a bit predictable at times, which I don’t think is a bad thing because it’s a relatively simple premise, but I look at it kind of like Seeking a Friend for the End of the World, where you can kind of see what’s going to happen coming, but it’s HOW they get there and how the actors do. And I think the strength of People Like Us, bar none, are the two leads, Chris Pine (Star Trek) and Elizabeth Banks (What to Expect When You’re Expecting).

I totally bought them as half-siblings and they’re both so charismatic…

The charisma and likability of Elizabeth Banks and Chris Pine are the strength of People Like Us

S: And they had such great on-screen chemistry! And that’s point I want to make: this was a powerhouse cast. Everybody gave such amazing performances, even Olivia Wilde (Cowboys & Aliens), who is a minor character in the grand scheme of things. For being a pretty A-list actress, she took her role for what it was and did a great job. Michelle Pfeiffer is killing it these days now that she’s playing older roles, great roles that really fit her well.

And then this new kid comes along, Michael Hall D’Addario, who plays Frankie’s son, Josh, and he just does an amazing job. He was actually probably my favorite character. He did such a fantastic job, this young kid…

A: He reminded me of Jonah Bobo as Robbie in Crazy, Stupid, Love.

S: Yes, a lot like him.

A: The acting was phenomenal really, and the casting choices were even better I think. Pfeiffer, I totally bought her as being able to be Chris Pine’s mother. I think the eyes had a lot to do with it, all three of the leads have very blue eyes. But just the subtleties they play…like Pine’s Sam is really kind of a selfish jerk for half the movie. There are a lot of things about him early on that make him an unlikable character, but Pine is just so earnest and inherently likable that you can’t help but like Sam despite the mistakes he makes. You just go, “C’mon, man, just do the right thing!” You really just want him to succeed, make the right choice and tell Frankie the truth.

S: But at the same time the characters were so well developed… I didn’t really think Sam was such a jerk. I kind of knew the premise and you have to imagine things…neither one of these kids grew up with a father. The guy probably did the best that he knew how but just wasn’t cut out for the whole fatherhood thing. And so both of his kids suffered for it in very different ways, yet ended up pretty similar. They had great chemistry as a brother/sister couple and you could tell that they could grow to love each other as a family.

Then you have Pfeiffer’s character, who really had to live with the knowledge that her husband was unfaithful and had another family. You have to imagine the toll that would take on people. So it was just very interesting and impressive for an ensemble cast like this to pull it off.

A: Can I just point out real quick that Chris Pine is quickly becoming one of my favorite actors in Hollywood? He just has that charisma you look for in a leading man and there are very few new ones nowadays. He’s perfect as Captain Kirk in the new Star Trek films, I liked him in This Means War, and I liked him in this.

Anywho….a criticism I could see some people having with this movie, and it’s not one I have of it personally, is that it takes Sam such a long time to finally tell Frankie what’s really going on. But that Frankie and her son just accept Sam, this stranger that appears out of nowhere and kind of works his way into their lives, and they hang out…

S: Yeah, they accept him pretty quickly, don’t they?

We thought this trio right here (Pine, Banks and D'Addario) made a very believable and cute family
A: That’s the one thing I think some people might go, “That’s unrealistic.” I didn’t have a problem with it. I can see how some people might, but I think it goes to the strength of the writing and the actors that you bought that these two individuals needed each other and that there’s a sort of destiny that they needed to do this. They just made a cute, believable family unit.

It’s a bit of a tearjerker, it got to me a little bit because it hit a little close to home.


S: It was about halfway through the movie where I figured it might hit close to home with you.

A: And I knew it would.

S: I wasn’t prepared for that.

A: Well when I first saw the trailer and saw what the real premise is, I knew it would. So it hit a little close to me, but even if it weren’t for that, I still think this is a very good movie. If anything, see it because of Pine, Banks and Pfeiffer. They all knocked it out of the park.

S: It truly is a great cast.

A: And it’s a good directorial debut by Alex Kurtzman. I was looking forward to how he would do with this. I liked the way he used Los Angeles, he didn’t use it in a flashy “Hollywood” sort of way, he used it in more of a warm, West Coast way.

S: It felt a lot more like a small-town feel to me, which is different for a L.A. movie. Like, you didn’t feel like you were in this ginormous city. It felt intimate in a city that has millions of people in it.

A: And that’s a totally different take and I enjoyed that. I definitely look forward to more directing jobs by Kurtzman. So what’s our final grade?

S: I don’t think you need to see it in theatres. It would make a nice matinee, but you can wait to Netflix it. That said, this might be one that ends up on our shelf!

(Out of Five Clapboards)

Thursday, June 28, 2012

Our Preview of This Week's New Releases (For Friday, June 29th)

Andrew: Hello readers! It's time yet again for our preview of this week's new theatrical releases. Now, we have three new movies coming out this weekend but we're only going to preview two of them because we got the chance to channel our inner big-time movie reviewer by seeing an advanced screening of Seth MacFarlane's feature film directorial debut Ted, starring Mark Wahlberg, Mila Kunis and MacFarlane himself as the voice of Ted. You can find our review of that by clicking HERE.
So instead, Sarah, we'll focus on the other two big releases this weekend, starting with one I'm sure A TON of women have been looking forward to - Steven Soderbergh's Magic Mike. It stars one of this year's breakout stars, Channing Tatum, as a male stripper who has ambitions to eventually start his own furniture design company. The film also stars Alex Pettyfer (I Am Number Four) as Adam, a 19-year-old kid that Tatum's Mike sees something in, so he takes him under his wing, gets him a job at the club and dubs him "The Kid." Oh, and Mike has the hots for Adam's sister, Brooke, who is played by Cody Horn (who I only recognize from a few episodes of The Office).
Sarah, I think I've talked enough about the basic premise of the movie, so you take it from here.
Sarah: Well from what I can surmise from the trailers, I would say that this movie is going to make most men seem inadequate. Filled with some of Hollywood's sexiest leading men (like White Collar’s Matt Bomer and True Blood’s Joe Manganiello), who seem to remain mostly shirtless, Magic Mike promises to be most women's fantasy. Tatum has had a great year so far with 21 Jump Street and The Vow. His new film, super loosely based on his real life, is the one that I have been looking forward to the most. His humor and charm is going to bring the throngs of women out to the theatres this weekend, along with his stunning six-pack.
Official Trailer for Magic Mike

A: I'm actually looking forward to seeing this because the trailer looks funny and because it's a Soderbergh movie. He's a different kind of director in that he's not going to just focus on the stripping part, I expect him to go into the reasons why Mike and his co-workers really do what they do, how it effects they're lives, etc. Essentially I think this movie will be deeper than it looks at first blush.
S: Agreed. It looks like it is going to be just a fun movie all around! I expect there to be a decent amount of laughter, although probably not as much as there was in Ted (seriously people, if there's a comedy you must see, it's Ted).
Now the second movie that we are going to be seeing this weekend is People Like Us. A little less humor and more heartwarming, this movie is about a young man, Sam (played by Chris Pine, Star Trek) whose recently deceased and estranged father has left him $50,000 and the knowledge that he has a sister, Frankie (played by Elizabeth Banks, The Hunger Games). His father has left him instructions to give the money to his sister, who also has no idea that she has a brother. Sam is left with the dilemma: does he give Frankie, a woman he didn't know existed, the money or does he use the money to pay off his debts? I think this looks like a really great movie filled with actors who are just fantastic.
A: I didn't know a whole lot about People Like Us until last week when I started reading up on it, and now I'm very much looking forward to seeing it. I like the two main leads, but more importantly, I'm interested to see the directorial debut for Alex Kurtzman. Kurtzman is better known for co-writing or co-producing a number of the last few year's biggest films with Roberto Orci. Check this list out:
- Mission: Impossible III (writer)
- Transformers (writer)
- Star Trek (writer/executive producer)
- The Proposal (executive producer)
- Transformers: Revenge of the Fallen (writer)
- Cowboys & Aliens (writer/producer)
- Star Trek Sequel (writer/producer)
And he's one of the creators/executive producers of the television show Fringe, and an executive producer for TV's Hawaii Five-O. The Transformers movies and Cowboys & Aliens aren't great, but it's still a solid pedigree of writing and producing. So I'm interested in seeing how he does as a director, too.
 Official Trailer for People Like Us

S: I have heard that this movie is really sweet and that Michelle Pfeiffer and Olivia Wilde are great additions to the cast.
A: Oh, and we should mention there are actually FOUR movies coming out in wide release this week, because Tyler Perry's Madea's Witness Protection also comes out today, but honestly we're not going to see it and have no desire to see it and would rather not recognize its existence. I actually don't mind the concept of Eugene Levy playing a Wall Street man who unwittingly was part of a corporate scheme and whose family is put into witness protection, it's the Madea aspect we're not hot on. No offense to Tyler Perry (cuz we kind of ripped him a bit earlier this week, too.)
But yeah! We'll definitely be seeing Magic Mike and People Like Us this weekend, so be on the lookout for those reviews!
S: And also a big THANK YOU to all of our readers! Because of you our small movie review blog had over 1,500 page views in June and we broke that record this month in only 26 days!!! So THANK YOU for your continued support!